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Good morning film fiends!
Only four more days to back Ash Mountain  Films’ home invasion horror NEFARIOUS on Kickstarter! The Ash Mountain crew have put up some amazing rewards for backers (TSL is backing the production of £200). Pop over to their Kickstarter page to check out what all the fuss is about – 

Remember any amount will help get the film into production, and the more you pledge, the more goodies you can get as reward. If you can’t afford to pledge you can also help by sharing the link on your social media channels. Spread the word!

In other news, a triple whammy of goodness for you to check out this fine morning –

A babysitter is stalked by a frightening ominous presence in THE NURSERY, creaking its doors open this June from Uncork’d Entertainment.

From filmmakers Christopher A. Micklos and Jay Sapiro comes the story of a young woman whose run-of-the-mill Saturday night quickly turns into a confrontation with unspeakable horror!

When Ranae, a college student babysits for a family with a tragic history, she finds herself stalked by a sinister presence and haunted by ghosts from her own past. Soon, she and her friends must confront the angry, evil spirit hunting them down one-by-one on a deliberate march towards its ultimate prey.

Emmaline Friederichs, Madeline Conway, and Carly Rae James Sauer star in the spookfest of the Summer THE NURSERY, available on VOD June 5 and on DVD August 7 from Uncork’d Entertainment.

 

Stunt coordinator Clayton J. Barber (fight and stunt coordinator for Marvel’s BLACK PANTHER and IRON FIST) directs leading man Eric Jacobus (PS4’s exclusive GOD OF WAR) in their latest martial arts action short feature BLINDSIDED: THE GAME!

After blind man Walter Cooke (Jacobus) prevents a local gang from shaking down his local grocer Gordon (Roger Yuan – JASON BOURNE), Walter must reckon with the gang’s ruthless boss Sal (Joe Bucaro, Marvel’s ANT-MAN). The stakes are high, but Walter’s got an ace up his sleeve.

BLINDSIDED: THE GAME pays homage to classic action films like ZATOICHI and BLIND FURY not only in its protagonist Walter, a blind swordsman, but also in that the film places heavy emphasis on storytelling combined with great action. This is no surprise with Clayton J. Barber in the director’s seat, who comes with over 20 years of experience as a stunt coordinator in Hollywood. Leading man Eric Jacobus plays Walter, a lovable cook who’s an expert gambler and swordsman. The character is the amalgamation of Jacobus’s 18-year career as a comedic action performer in the indie film arena. Director Clayton J. Barber is pushing the boundaries of modern action entertainment by bridging Hollywood with the indie action film world.

Barber notes that, “Eric Jacobus came from the indie action film realm. He was like a punk rocker of the action genre using raw filmmaking. We’re bridging these worlds together to create a totally new kind of action experience.” Jacobus echoes Barber’s sentiments: “Indie action guys have all the tools they need to showcase their skills, but the element of storytelling still has to be there. Clayton’s that storyteller who knows action. This is our LE SAMOURAI.”

Barber and Jacobus aren’t the only stuntmen involved in BLINDSIDED: THE GAME. The film features an ensemble of action stars and stunt performers both behind and in front of the camera. Roger Yuan, a veteran action star featured in action films such as SHANGHAI NOON and this year’s ACCIDENT MAN, who plays the shopkeeper Gordon, also choreographed one of the film’s major fight scenes. Producer David William No (ALTERED CARBON from Netflix, and THE MATRIX RELOADED) acts as a knife-wielding card shark and goes toe to toe with Jacobus in the climax. Veteran stunt performer Joe Bucaro (XXX, IRON MAN) plays the ruthless gang leader Sal, Nicholas Verdi (CLOSE RANGE, AGENTS OF S.H.I.E.L.D.) plays Nico and acted as director of photography, and Sal’s enforcer is played by Luke LaFontaine (SAVAGE DOG, MASTER AND COMMANDER) who also served as the sword fight coordinator.

Production company JB Productions is dedicated to delivering strong storytelling and first-rate action, created by people who truly understand action. Barber says, “This is a new approach to action filmmaking. BLINDSIDED: THE GAME is the perfect collaboration for us, and we hired great stunt performers to play the lead roles and even work behind the camera with us because we wanted to work with folks who knew action. That’s the brand people are buying into, and we’re always looking to build that brand by collaborating with talent both in America and overseas.”

Jacobus and Barber previously collaborated on the hit short films ROPE A DOPE and ROPE A DOPE 2: REVENGE OF THE MARTIAL ARTS MAFIA. BLINDSIDED: THE GAME is an expansion of the 2017 short film BLINDSIDED, which was the first title under the Jacobus / Barber (JB) Productions banner. BLINDSIDED was released to much acclaim, with fans craving a conclusion to the story. BLINDSIDED: THE GAME replays the entirety of the original BLINDSIDED and carries the story to completion, capping the film off at the length of a TV pilot.

Jacobus and Barber are confident that BLINDSIDED: THE GAME will fulfill fans’ desires for a complete film. Blindsided: The Game will be free to stream on YouTube on May 17th.    

 

Thomas Lawes’ MONOCHROME premieres on VOD and DVD this June from Gravitas Ventures.

Featuring BAFTA winner James Cosmo (TV’s GAME OF THRONES, BRAVEHEART), the killer-thriller focuses on a disillusioned young woman who becomes a serial killer targeting wealthy land-owners, forcing a brilliant detective to use his unusual neurological condition to track her down.

Jo Woodcock (DORIAN GRAY), Singer songwriter Cosmo Jarvis, Patrice Naiambana (HIGHLANDER: THE SOURCE), Lee Boardman (JACK & THE GIANT SLAYER), Steve Jackson (TV’s CORONATION STREET) and Liz May Brice (ALIEN VS. PREDATOR) make up the ensemble cast.

 

On a final note –  to any aspiring independent filmmakers, podcasters or film related writers out there out there reading this, let me know if you’d like me to publicize and/or review your projects, The Stricken Land is always happy to promote new talent and ideas! And as ever, please feel free to share this post and any others on here that you like, far and wide.

Spread the Word!
Ian

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The Final Girls (2015) US Dir: Todd Strauss Schulson
Taissa Farmiga, Malin Akerman, Alia Shawkat

Teenager Max Cartwright (Farmiga) lives with her free spirited but down on her luck actress mother Amanda (Akerman). One night after driving home from yet another failed audition, they are involved in a horrific car accident. Amanda is killed but Max manages to survive without serious physical injury.

Cut to three years later and Max is finally beginning to put her life back together. Her best friend Gertie’s (Shawkat) brother, horror film geek Duncan (Thomas Middleditch)  bribes her to attend a screening of Camp Bloodbath, a 1980’s stalk and slash horror flick, as a guest of honour, the film being her late mother’s most well known film role, playing the virginal Nancy.

When a fire rips through the auditorium, Max and her friends tear open the projector screen to escape, and inexplicably find themselves transported into the film itself. Max immediately forms a bond with her dead mothers character, but the friends presence soon begins to alter the events of the movie, and with the original ‘final girl’ killed off in a freak accident, Max has to try and save Nancy from the movie’s disfigured psycho Billy Murphy (Daniel Norris), while taking on the mantle of final girl herself, and getting herself and her friends back to reality in one piece!

THE FINAL GIRLS is the ultimate meta horror comedy and an absolute blast from start to finish. Fans of the 80’s slasher cycle will find much to love here, from the obvious nods to the FRIDAY THE 13th series to the well observed culture clash between the generations (the past being a foreign country – the fictional film within a film is set in 1986).

Screenwriter Joshua John Miller co wrote the script as a coping mechanism after the death of his father Jason Miller (Father Karras in THE EXORCIST), and the sense of grief and loss that plays out between Max and Amanda/Nancy lends a poignancy to what could otherwise have been a fun but shallow piece of comedy horror fluff.

The film also avoids the repetitious irony and knowing superiority that marred so many films and tv shows that jumped on the meta horror bandwagon started by SCREAM and which became very tedious very quickly soon afterwards. Director Schulson along with Miller and fellow scribe M A Fortin thankfully play their film for bittersweet laughs, shot through with just the right amount of nostalgia for a genre they clearly have a lot of affection for.

I’m short, THE FINAL GIRLS is a feel good horror homage that will raise a smile from even the most hardened gorehound, and will especially appeal to those who lived through the 80’s slasher era it so affectionately spoofs.

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Hailing from the rainswept northern climes of the UK, Elliott Maguire is the writer and director behind the dark psychological horror film THE FERRYMAN, which is currently available on the Vimeo platform (you can rent or buy it here.)

Filmed exclusively using iPhone 7’s on a micro budget in and around his home city of Manchester, THE FERRYMAN tells the story of Mara (Nicola Holt), an emotionally fragile young woman who, whilst recovering from a suicide attempt finds herself stalked by a vengeful spectral entity. You can read our full review here if you haven’t already, but in the meantime, Elliott graciously agreed to sit down and talk to us about his experience making the film along with his influences and future plans.

TSL Tell us a bit about yourself and how you got into filmmaking. Do you have any formal training in screenwriting or directing?

EM I’ve always been more of a film fan than filmmaker to be honest, until I got my hands on a copy of THE USUAL SUSPECTS at quite a young age and became really obsessed with screenwriting and storytelling. In terms of training, I did okay in college but I’m a two time university dropout, it just wasn’t for me. Not sure why really. So other than college I really just trained myself, with a bit of help from google. It wasn’t until very recently that I did anything other than the writing side of film though. Directing and stuff, well everything I learned from watching other films basically.

TSL How did the idea for THE FERRYMAN come about? What gave you the impetus to make your own film?

EM I’d always been interested in the image of the coins in the eyes since THE HITCHER and FROM HELL, and began looking into the Greek myth Charon and just thought it was ideal for turning into a new, iconic boogeyman. The Ferryman started off as a very Blumhouse-style supernatural horror, loads of jump scares, high body count, but as you can probably tell that changed a lot over the development. I’d always wanted to move into directing as well as writing and I had that many scripts get a bit of interest, almost happen, this that and the other, I just thought “I’m not ready but I never will be, so let’s just crack on and make something”. In hindsight I should’ve picked something a bit less complex production-wise but oh well.

TSL As a child of the VHS era, I’m pretty obsessed with horror, fantasy and sci fi, in particular post apocalypse movies. What are the films that have your biggest influences?

EM For THE FERRYMAN specifically, it really developed as my taste in cinema developed. The films of Nicolas Winding-Refn, Ben Wheatley, Nicolas Roeg, and David Lynch really stayed in my mind while filming. I wanted it to feel like you were in Mara’s head, in this psychological nightmare where everything is just slightly off…and then you drop right off down the rabbit hole.

TSL If there are any aspiring filmmakers reading this, I’m sure that they’d love some advice on getting their own projects rolling. How did you set about finding actors, makeup artists and scouting locations for instance? Did social media play a big part in finding suitable collaborators?

EM Social media was everything for me really, in terms of cast and crew it was basically a case of reaching out on Facebook. Except for Nicola and Shobi, I found them on Mandy and they blew me away with their self-tapes. But yeah everyone else was either an actor or filmmaker I knew through social media, or a friend of there’s. I got really lucky with everyone, I couldn’t say it’s the right way to do it, all I can say is it worked for me. Locations were really just places I had access to, my house, parents house, where I work, anywhere I could get for free really as paying was out of the question. In terms of advice, it’s such a cliche but it’s the right answer, you just have to go and do it. Think about something you can do with what you’ve got to hand and do it. If I can, trust me, everyone else can. If you wait around for funding, or for sometime else to do it for you, there’s a big chance it’ll never happen, so take control. Even if you’ve never been to university or anything, I can guarantee there are a thousand tutorials on every aspect of filmmaking on YouTube, and that’s free! Create your own university while also making things happen.

TSL What would you consider to be the most important thing you’ve learned in your filmmaking career so far, and what would your advice be to other aspiring filmmakers?

EM Organisation in the pre-production stage 100%. I got swept away in the excitement and started setting dates and deadlines for things without figuring out how to meet them, which really messed up one or two locations and led to a few last minute recastings. It worked out in the end but the stress of it really sucked the fun out of it a few times. So be organised, and have back up plans, and back up plans for your back up plans. But also, don’t think of this as a business, not until after post-production anway. This should be fun, it should be your passion, something you want to do regardless of the money. Stick to your guns and make the film you want to make, not what they tell you would sell more DVD’s.

TSL Do you have a preference for a particular aspect of the craft, either writing or directing?

EM I’ve just started writing again and I’ve missed it so much, as I feel in complete control and maybe that’s just the way I have to be. But the chaos of being on set and seeing stuff come to life and coming up with scenes on the spot and working with other filmmakers is amazing too so I don’t know. Maybe ask me after the next one…

TSL Certain films, particularly in the horror genre have gained a reputation for strange coincidences and unnerving occurrences during production. As lovers of film trivia, can you tell us if anything like that happened during the filming of THE FERRYMAN or indeed, any other interesting anecdotes relating to the production?

EM It was filled with drama actually, nothing supernatural even though my house and my parents house are definitely haunted. But yeah there’s been lots of stuff but I really couldn’t divulge any of it come to think of it. Some of it very private to cast and crew and some of it may get the FBI coming after us all if they’re not already (seriously).

TSL Finally then, do you have any upcoming projects or ideas bubbling away that you can tell us about?

EM Oh yes loads, I have a back catalogue of scripts that are no longer in anyone’s hands but mine and my plan is to basically work through them in terms of budget and scale. I have my slasher film set in the homeless community, my cult thriller Follow The Leader, a supernatural horror centred around security and CCTV, and I’m also hoping to start development on a film based on the Hexham Heads true story. But the next one is going to be very small, smaller than Ferryman even, but much more visceral than psychological, Buried-meets-Wicker Man is how I’d describe it with a bit of French New Wave ultra violence thrown in. Hopefully sometime this year.

TSL Thanks for volunteering your time to talk to us. We look forwards to your future productions!

EM Thanks Ian, and thanks for all the support!

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The Hatred (2017) US Dir: John Law
Zelda Adams, John Law, Lulu Adams

In civil war era Blackfoot territory, a band of confederate soldiers massacre the family of a young girl (Zelda Adams) and lynch one of their own number (Law) to conserve their meagre supply of food.
Swearing vengeance, the girl conjures the dead soldier back to life and begins to exact a grisly revenge against his former comrades.

Told mainly in flashbacks, this uncompromisingly bleak gothic revenge western is a micro budget indie that looks like a big studio picture. Filmed using only natural light in the snowbound Catskill mountains of New York State, writer director and star John Law conjures a strange dream like atmosphere for his movie, and has delivered a bloody and brutal work of art. Utilising the simple well worn revenge plot of countless westerns the efficient deftly written screenplay lays bare the fallen nature of the human condition, and how easy it is for men to revert to savagery when freed of the constraints of civilised society.

Fans of Corbucci’s similarly snowbound masterpiece THE GREAT SILENCE will find much to enjoy here as will fans of revenge horror and the gothic western sub genre. And it has one of the most superbly terrifying climaxes I’ve seen in any recent fun. Highly recommended.

THE HATRED is currently available to buy and stream from Amazon Prime.

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House on Elm Lake (2017) UK Dir: James Klass
Becca Hirani, Andrew Hollingworth, Tara MacGowran, Tony Manders

The Jones family move into a seemingly idyllic lakeside property in the British countryside, having purchased it for a knockdown price due to it having been the scene of a ritualistic family annihilation three years earlier. Hayley (Hirani) hopes the fresh start will repair their marriage after husband Eric’s (Hollingsworth) infidelity.

No sooner has the family settled in than things start to go bump in the night, daughter Penny (Faye Goodwin) acquires an imaginary friend and Eric’s personality becomes more and more aggressive. When Hayley begins to start witnessing apparitions she begins to delve into the dark history of the house along with a psychic investigator.

So far, so THE CONJURING, and indeed this mini budget British horror flick doesn’t stray too far from any of the tried and tested tropes of the haunted house/demonic possession sub genres.This is likely to be a marmite movie for some. It doesn’t really do anything groundbreaking with its well worn set up, and becomes a little too distracted with reliance on jump scares rather than building a sense of dread. On the plus side it is a well written and directed example of its sub genre, with lead actress Becca Hirani in particular giving a great performance as Hayley, riven with self doubt, but determined to protect her family against increasingly deranged hubby Eric (Hollingworth, channelling his best Jack Torrance.)

Filmed in eight days on a budget of £3000, the finished production transcends it’s microbudget origins, delivering an effective and at times genuinely unnerving haunted house chiller. Unlike most of its higher budgeted US produced counterparts, has a bleak and cold atmosphere that you only really find in British made horror flicks or those set in these rain swept isles (Cronenberg’s THE DEAD ZONE is an excellent exception). Lacking the slick glossiness of similar US fayre like THE CONJURING and SINISTER ends up being no great disadvantage to the film, rather acting as a boon to those of us who prefer our horror with a sliver of ice running through it. Fans of haunted house and demonic possession flicks will find a solid if unoriginal addition to the sub genre here.

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Good morning film fiends!
Who doesn’t love dinosaurs? If you’re feeling in need of some tasty hors d’oeuvres before the main course of this summer’s JURASSIC WORLD: FALLEN KINGDOM, look no further than  Uncork’d Entertainment’s THE JURASSIC GAMES clawing its way on to VOD this June –

Win the games. Win Your freedom. Every year, 10 of the world’s most lethal death row criminals are chosen to compete for their freedom in The Jurassic Games, a television show where contestants must survive against a variety of ferocious dinosaurs.  The players all die gruesomely in the game zone except for one, the last one standing, the winner, who is granted not only his freedom, but fame and fortune. Survive the dinosaurs. Survive each other. Survive…The Jurassic Games.

Starring Ryan Merriman (FINAL DESTINATION 3) and Perrey Reeves (ENTOURAGE), the film imagines a world set in the near future wherein ten Death Row convicts are chosen to compete in The Jurassic Games, the ultimate virtual reality game show that pits its players against dinosaurs and each other. However, there is a catch… If you die in the virtual game, you also die in reality; and for Anthony Tucker (Adam Hampton), survival is his one chance to be reunited with his children after having been wrongfully imprisoned for the murder of his wife. As the devious The Host continues adding improbable challenges, the characters will find the odds stacked against them as only one victor can emerge as winner and reclaim their freedom.

THE JURASSIC GAMES is the third film from Emmy Award-winning director Ryan Bellgardt (GREMLIN, ARMY OF FRANKENSTEINS). 

THE JURASSIC GAMES will be available on Digital 6/12 and DVD 7/3 (US release dates)

Fan favourite Lance Henriksen stars alongside THE SHAPE OF WATER’s Doug Jones in GEHENNA: WHERE DEATH LIVES, the feature directorial debut of celebrated effects master Hiroshi Katagiri (JURASSIC PARK III, PACIFIC RIM), who also provides the film’s impressive effects, GEHENNA co-stars Eva Swan, Simon Phillips, and Justin Gordon.

Encompassing horror, suspense and a twist that will blow your mind, GEHENNA fixes on five people who enter a hidden bunker from World War 2, only to realise it’s way more than a bunker. Some fates are much worse than death.

Spectral Motion, known for award-winning work on such films as HELLBOY and LOOPER, did the makeup effects on the creature played by Jones.

For any readers stateside GEHENNA is playing in the following cities from 4th May –

Los Angeles – Laemmle Monica

Philadelphia – PFX Roxy Theater

Atlanta – Plaza Theater

Cleveland – Tower City Cinemas

San Francisco – The Roxy

Dallas – AMC Grapevine Mills 30

Detroit – AMC Fairlane 21

Houston – AMC Gulf Pointe 30

Phoenix – AMC Arizona Center 24

Washington D.C. – AMC Hoffman 22

GEHENNA : WHERE DEATH LIVES is released on digital Friday 4th May distributed by Uncork’d Entertainment.

World renown cult filmmaker and former Gloan Globus alumni Albert Pyun (THE SWORD AND THE SORCERER, RADIOACTIVE DREAMS, CYBORG) is back and seeking funding for his 47th feature film BAD ASS ANGELS AND DEMONS! Pyun, whose diverse and innovative career as a filmmaker goes back before the days of Cannon Pictures, where he directed the fondly remembered Van Damme classic CYBORG, as well as DOWN TWISTED, JOURNEY TO THE CENTER OF THE EARTH, and ALIEN FROM L.A. With a highly prolific career as a genre specialist, Pyun has been stricken with dementia, and has made several films with this debilitating disease. His fight to overcome his disability goes on, as he seeks funding for his latest effort, set in a post-apocalyptic era where angels and demons duke it out for what’s left of earth. His latest films INTERSTELLAR CIVIL WAR, THE INTERROGATION OF CHERYL COOPER, and ROAD TO HELL were completed while he’s been battling his condition.

Visit Albert’s Go Fund Me page and hear him talk about his new project and how his disease is shaping his creative process.

On a final note –  to any aspiring independent filmmakers, podcasters or film related writers out there out there reading this, let me know if you’d like me to publicize and/or review your projects, The Stricken Land is always happy to promote new talent and ideas! And as ever, please feel free to share this post and any others on here that you like, far and wide.

Spread the Word!
Ian

 

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Demon Protocol (USA 2018) Dir: Kelly Parkes
Gary Graham, Bethany Regan, Caroline Amiguet

If The Exorcist and The Thing got together and had a love child, the result would be Demon Protocol.
Somewhere in suburban America, a team of exorcists from s secretive religious order attempt to banish a demonic presence from the home of a young couple. When the exorcism goes awry and a team member is killed, the entity possesses one of the individuals now trapped in the house. The team led by grizzled priest Prester J Bedford (Graham) must discover who among them is harbouring the demonic entity before all their lives are forfeit…

Demon Protocol is a nicely executed zero budget little horror flick centring around its supernatural twist on the paranoid ‘the enemy is among is’ plot that was done so well in films The Thing and Reservoir Dogs. Bookended by a superbly effective opening scene and a nasty little twist at the climax, writer and director Kelly Parkes works in some subtle world building into the proceedings, and it would be great to see these elements expanded upon in one of more sequels. This little gem of a late night horror flick certainly lays the groundwork for more demon hunting mayhem. Give this a look on Amazon Prime, every hit makes a sequel more likely!

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Good morning film fiends!

First up is the great news that TSL has backed the splendid looking IT’S WATCHING film on indiegogo.com –

IT’S WATCHING is an original horror film from writer/director Anthony Cole. Based off his original feature film script of the same name which is currently doing the rounds with producer’s in L.A and London,  that aims to do bring something truly original to the horror genre, to create a horror film where the demon itself knows that it’s in a film, and is the creative force behind the film itself.

Says Anthony; “With this project our team is pooling over ten years of experience to conjure up a terrifying film that will combine a unique story-line reminiscent of films like Memento and The Shining with the 4th wall breaking, meta techniques of films like Deadpool. Think a man with no memory, possessed by a demon that is the creative force behind the film itself, subtly targeting the audience itself. We are committed to bringing revolution to the way audiences see “demons” in popular horror film culture.”

Currently Anthony and his team are on 9% of their goal with 23 days left. Take a look at the project here, and see if you can throw a few quid at it. Failing that, please spread the word on social media, and let’s see if we can help Anthony and his team get over the finishing line!

THE SHAPE OF WATER meets GET OUT in the unique Sci-fi Horror SOFT MATTER, premiering on VOD 5/22 from Wild Eye Releasing.

Jim Hickcox’s feature debut tells of two graffiti artists that break into an abandoned, reportedly haunted research facility in hopes of creating an art installation, but stumble upon a team of demented researchers who are in the process of resurrecting an ancient sea creature – who they now must fight in order to not become their next experiment.

Ruby Lee Dove II, Hal Schneider, and Mary Anzalone star in a “fiercely original and incredibly entertaining masterpiece” (A Word of Dreams) out May 22.

The popular superhero comic book series OMEGA 1 is eyeing a relaunch in print– and with it, a new-live action series!

OMEGA 1 is an action/adventure comic book series featuring female superhero “Meg Vasalie” aka “Omega 1”, a genetically modified she-weapon that protects and delivers information in these new times.

Launched on Kickstarter (at www.fundomega1.com), a crowdfunding campaign that will ideally result in the long-awaited fifth and sixth issues of OMEGA 1 and an overdue catch-up with the hero we need right now, Meg Vasalie. If that comics crowdfunder is successful, it’ll help pave the way for a new live-action series!

WATCH THE NEW OMEGA 1 TRAILER HERE!

https://youtu.be/6Q1FzAXiGms

The OMEGA 1 franchise, which was developed in 2007 by Mark Edward Lewis and Alina Andrei, was a bonafide sensation – with those early comics selling out at various conventions around the globe.

Says co-creator Lewis, “We were at a Denny’s restaurant bemoaning the state of affairs we found ourselves in back in 2006. We knew the hacking of our private and banking information was only going to get worse – and at the same time – we hated how female superheroes and role model television shows were being scoffed at and cancelled after a few episodes. The two issues didn’t really have anything to do with the other until we decided to make a series that addressed both. And so Omega 1 was born. We created a world which exists post World War III – a war of information theft and manipulation instead of bombs and bullets. In this world, women have to fight like men to live and work, and femininity is something which has been lost. Our lead characters discover both the secrets of the hackers and of how to be powerfully female in a world that demands male results. We’re very proud of how this story brings awareness of the hacker situation which is now, here in 2018, far worse than we ever imagined back in 2006, and how the time for female empowerment in media has finally arrived. The time for Omega 1 is now.”

OMEGA 1 brings together the talents of Hollywood veteran Mark Edward Lewis, with DC, Boom, and Dark Horse artist Emmanuel Xerx Javier, and dynamite Hollywood actress Alina Andrei. Together, they span franchises like Marvel’s AVENGERS S.T.A.T.I.O.N., STAR TREK: NEW VOYAGES, KNIGHT RIDER, THE ORVILLE, FEAR THE WALKING DEAD and comics such as DOPPLEGANGER, EXECUTIVE OUTCOMES, THE REST OF HEAVEN WAS BLUE and NIGHTBREED.

Synopsis :  2023 saw the advent of World War III, but it was a war of information: the Hacker War. Now, the only way to securely transmit data is hand-delivery via highly skilled couriers. Working for the premiere courier company is OMEGA 1, a genetically enhanced she-weapon who is deadly with a sword, fist fights with firearms and can draw metal to herself. She searches for her lost identity while trying to keep herself and her clients’ data in tact. Along with her extraordinarily gifted friends in the company, she must piece together her past to uncover a conspiracy for global control and Aryan genocide. But when she discovers the people responsible for the Hacker War are family, Omega quickly finds herself in ongoing dilemma that juxtaposes her incredible ability to kill and destroy against her heart for love and care.
Like the look of this?you can donate to the kickstarter here –  www.fundomega1.com

UK based independent Lumino Films has an intense looking psychological thriller in production called Swiperight. You can see the teaser trailer here –

https://vimeo.com/257579041

You can follow the film’s progress on Twitter @luminofilms

On a final note –  to any aspiring independent filmmakers, podcasters or film related writers out there out there reading this, let me know if you’d like me to publicize and/or review your projects, The Stricken Land is always happy to promote new talent and ideas! And as ever, please feel free to share this post and any others on here that you like, far and wide.

Spread the Word!
Ian

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Good morning film fiends!

Last week saw the the release of the the long awaited trailer for THE MEG, the long in gestation adaptation of Steve Alten’s pulptastic potboiler about a prehistoric Megalodon shark. Needless to say this has me agog with excitement, especially as it stars Brit action god The Stath headlining the proceedings. For those who somehow missed the trailer, here it is. Don’t say I never think of you…

While we’re on the subject of finned monstrosities, my old pal at The Painted Dragon found this little z-movie bottom shelfer that looks like it has potential to be great fun. A diseased shark that spits acid at it victims as well as chomping down on them? I’m in.

 

 

The latest screener to drop in to my inbox from High Octane Pictures is DEAD LIST –

A struggling actor conjures a dark force in order to win a movie role in a terrifying new movie experience from filmmakers Holden Andrews, Ivan Asen and Victor Mathieu.
High Octane Pictures unveils the DEAD LIST on VOD this May.

Calvin is competing with five other actors — Zander, Scott, Kush, Jason and Bob — for a major movie role. Stopping at nothing to win the role of a lifetime, he uses a demonic book to curse his fellow actors, with each actor being killed off in their own separate unique and terrifying chapter.

DEAD LIST available 1/5/18 on VOD, DVD 3/7/18 on DVD, and SVOD 4/9/18 (US release dates, I’ll try and find out if there are UK and RoW dates and include them when I post a review.)

Finally, TSL is proud to announce that I’m backing two great looking new horror flicks on Kickstarter. The first is Brit production NEFARIOUS, billed as ‘a home invasion horror/thriller, from the Ash Mountain Films, the studio that brought us DOGGED. Check the details out here

Second we have REVIVING CAMP BLOOD, a Friday the 13th fan film (and oh, how I am a fan of Mr Voorhees.) This project is being put together by Nic Christian and Riley Lorden of the Slash ‘n’ Cast horror podcast. Check their Kickstarter page here.

Both these projects have lots of talent behind them along with a treasure trove of goodies for backers, so take a look if you’re so minded, and show these indie producers some love (and money!)

On a final note –  to any aspiring independent filmmakers, podcasters or film related writers out there out there reading this, let me know if you’d like me to publicize and/or review your projects, The Stricken Land is always happy to promote new talent and ideas! And as ever, please feel free to share this post and any others on here that you like, far and wide.

Spread the Word!
Ian

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The Ferryman (2018) UK Dir: Elliott Maguire
Nicola Holt, Garth Maunders, Philip Scott-Shurety

 

Following a failed suicide attempt, a young woman named Mara awakes in hospital and is greeted by her estranged father Roland, who she initially rejects. Confused, angry and resentful she agrees to live with Roland while she recovers and attends a therapy group. Very soon, anyone who gets too close to Mara inexplicably takes their own life, and she finds herself stalked by a mysterious spectral figure…

Filmed in the city of Manchester using iPhone 7’s, THE FERRYMAN is the debut feature of writer/director Elliott Maguire, and an assured piece of work it is. Deftly constructing a cold atmosphere with a restrained use of light and building a mounting sense of dread, the lean script is abetted by a bravura emotive performance by Nicola Holt as the disoriented Mara, with Garth Maunders in support as the increasingly confused Roland. This little homegrown indie gem reminded me the 70’s BBC MR James adaptations and the short lived Hammer Horror anthology tv series, with  its very British restraint in instilling in the viewer an increasing sense of unease as the story unfolds.

Give this one a go and support indie filmmakers.Horror fans in particular will find much to admire here. I’m already looking forwards to what Mr Maguire does next. THE FERRYMAN goes on release to Vimeo on 13th April, and you can pre-order it here to rent for a bargain 99p. Get those pizzas in.