Morning film fiends!

Here I am to ward off those Monday morning blues with a slate of under the radar bad movie goodness –

A man of the cloth turns Jurassic in Wild Eye Releasing’s THE VELOCIPASTOR – coming later this year from the reputable genre label!After a devastating family tragedy, a priest travels to China to find deeper spirituality, but instead is endowed with an ancient ability that allows him to turn into a dinosaur. At first, he is horrified by his newfound superpower, but a local prostitute convinces him to use his newfound gift to fight evil – and ninjas.

https://youtu.be/7Nyb0GqAjKM

Gregory James Cohan, Alyssa Kempinski, Daniel Steere, Yang Jiechang, Jesse Turits, Fernando Pacheco de Castro star with Aurelio Voltaire in the Wild Eye Releasing title.

Devilworks Drops poster and Trailer for UK Supernatural Horror ‘The Young Cannibals’ from writer/director duo Kris Carr and Sam Fowler. 
 Starring Megan Purvis and Hannah Louise Howell, this fast-paced horror follows a group of friends as they arrive at a secluded campsite, where they plan on spending a relaxing weekend by the lake. What they didn’t plan on, was being tricked into eating burgers made of human flesh. This act summons an unrelenting supernatural creature, which hunts them down one by one.

https://youtu.be/i8AjG4uXgJY

The film was produced by Charlie Pride for Bad Taste Pictures.
Devilworks is representing Worldwide rights and will start to sell at the upcoming Cannes 

Juan Frausto, director of Road Kill and Once Upon a Time in the Hood, invites you to log on for a streaming screamfest that will leave one girl possessed… and you on the edge of your seat!
 Playing with a Ouija board is dangerous, and college student Rebecca Clarkson (Katherine Munroe) is now documenting the proof, as day by day a demon takes possession of her while a webcam audience watch the horrific event.

https://youtu.be/ZdzKuBS5jNQ

Eileen Dietz (The Exorcist), Johnny Ortiz (Peppermint), Noel Gugliemi (“Fresh Off The Boat”), Monica Engesser (“Crazy in Love”), and Delilah Cotto (Empire) star alongside James Russo and Katherine Munroe in The Possession Diaries, on DVD and Digital June 4, 2019 from Uncork’d Entertainment.

Connect with Crisis Hotline, from acclaimed filmmaker Mark Schwab, this June from High Octane Pictures.

A cynical counselor at a crisis hotline finds himself in a life or death situation when a young man calls and threatens to kill three people and then himself.

https://youtu.be/73yyrfLfoQI

Corey Jackson, Christian Gabriel and Pano Tsaklas star.
Written and directed by Mark Schwab, and produced by Diamond in the Rough Films, Crisis Hotlinearrives on digital and DVD June 11.

Documentary Examines Beloved, Sometimes Demonized, Children’s Horror Book Series 

            Los Angeles, California – Scary Stories, the highly anticipated documentary about Alvin Schwartz’ iconic Scary Stories to Tell in the Dark book series, will debut in select theaters beginning April 26 via Wild Eye Releasing.
Explore the history of one of the most controversial works of modern children’s literature: The best selling teen classic Scary Stories to Tell in the Dark, which scared a generation of young readers and became one of the most banned books of modern times. Scary Stories creates both the ultimate celebration and dissertation of this iconic piece of horror literature.

Following the limited theatrical release – which includes Los Angeles, New Orleans, Columbus, and Texas – Scary Stories will be available on VOD May 7 with a DVD release set for July 16.
Cody Meirick’s film features more than 40 interviews, from family members of author Alvin Schwartz, to fellow children’s book horror authors like R.L Stine (Goosebumps) and Q.L. Pearce, to folklorists, artists and fans discussing the impact that the books have had on both themselves as well as the culture at large. The documentary also explores the various times in which the books were banned or targeted by parent and religious groups as ‘satanic’ or otherwise too macabre for its targeted teen scholastic audience.

https://youtu.be/d2n5NSJNe9A

Penned by Schwartz and illustrated by Stephen Gammell, Scary Stories to Tell in the Dark is a three-volume series consisting of short horror stories for pre-teens and children that were adapted from American folklore and urban legends.  Because of some of the violent illustrations and the subject matter, parent groups, religious organizations and school boards had the books pulled from libraries and schools at various times. A feature film adaptation of the books, produced by horror icon Guillermo del Toro, is due in theaters this summer. 

Good morning film fiends, and happy Bonfire Night to all my fellow Brits! I’ve got four great previews to put on your midnight movie viewing lists and cheer you all up on these cold winter nights! Let’s take a peek –

Teenagers are kidnapped and made into living scarecrows who are left to die in crop fields in an exceedingly frightening stoner-horror throwback in the vein of JEEPERS CREEPERS and Scream. SCARECROWS, from director Stu Stone, rise from the cornfields 11 December from Uncork’d Entertainment.
While on a hike to find a secret lagoon, a group of friends have no choice but to pass through an ominous cornfield. Unbeknownst to them, the farm owner despises trespassers and has vowed to kill anyone who crosses his land by turning them into living scarecrows, leaving them to rot in his fields. Once one goes up… it never comes down.


SCARECROWS, starring Hannah Gordon (HURT), Mike Taylor (PURE) and Umed Amin (A SIMPLE FAVOR) and co-written by Stone and Adam Rodness, premieres on VOD December 11 and DVD February 1 from Uncork’d Entertainment.

In the tradition of SUSPIRIA, and featuring horror icons Caroline Williams and Debbie Rochon, BLOODY BALLET arabesque’s onto November 13 from High Octane Pictures.
When a beautiful ballerina dancer, Adriana Mena (Kendra Carelli, GUARDIANS OF THE GALAXY VOL. 2), lands the lead role in the upcoming Nutcracker performance, she’s forced to face her demons as jealousy and tension begin to provoke the supernatural.
A giallo film –  a horror-thriller that blends the atmosphere and suspense of thriller fiction with elements of horror fiction and eroticism – in the vein of Dario Argento’s and SUSPIRIA and Sergio Martino’s TORSO – BLOODY BALLET is a tour-de-force for rising filmmaker Brett Mullen, who co-wrote the script with Matt Cloude.  

Caroline Williams (TEXAS CHAINSAW MASSACRE II, HALLOWEEN II), Debbie Rochon (MODEL HUNGER, DEATH HOUSE), Katie Carpenter (THE HAUNTING OF HILL HOUSE), Brett Wagner (THE HAPPYTIME MURDERS), and Rob Springer (BOMBSHELL BLOODBATH) star in BLOODY BALLET out November 13 on VOD and December 4 on DVD.

 

Christmas is under siege from a horde of evil elves in Jamaal Buden’s frighteningly fun ELVES, on VOD and DVD this December!
The Holiday Reaper, a ruthless killer that terrorized a small Texas town, has been caught. While celebrating, a group of friends find an elf inside a magical toy box.  When a freak accident kills one of them, they discover a group of elves have been scattered throughout town, each representing one of the seven deadly sins. It’s a race against time to survive the elves’ wrath before Christmas ends.
Horror staples Justin Price (THE ELF) and Khu (DARK MOON RISING) produce.

Lisa May, Deanna Grace Congo, Stephanie Marie Baggett and Amy Jo Guthrie star in ELVES, on VOD and DVD December 4 from Uncork’d Entertainment.

 

Award-winning Hitchockian suspense thriller NUMBER 37, filmed in Cape Town, releases in select theaters throughout November and On Demand November 20 from Dark Star Pictures.
In a gritty homage to perennial Alfred Hitchcock favorite REAR WINDOW, director Nospiho Dumia’s film focuses on the residents of a block of apartments in the down-and-out Cape Flats neighborhood–which, with its petty thugs, crooked cops, violent loan sharks, and troubled pastors, soon reveals itself to be a very different place from REAR WINDOW’s Greenwich Village of 1954.

Set in a rough section of Cape Town, NUMBER 37 follows Randal Hendricks, a small-time crook who becomes wheelchair-bound in a drug deal gone wrong, and his hard-working girlfriend Pam Ismael. To distract Randal during his homebound days of limited mobility, Pam gives him a pair of binoculars. While idly surveying his block, he accidentally witnesses a dirty cop being executed by his gangster neighbor Lawyer. With a loan shark breathing down his neck, Randal decides to blackmail Lawyer, and enlists the help of both his girlfriend and his friend Warren. When the plan goes horribly awry, Randal’s options get more and more restricted—and not even local detective Gail February, investigating the death of her partner, may be able to help him.Irshaad Ally, Monique Rockman, Ephraim Gordon, Sandi Schultz, Danny Ross, David Manuel, Elton Landrew, and Deon Lotz star in a Nosipho Dumisa directed film, scripted by Dumisa, Travis Taute, and Daryne Joshua.
NUMBER 37 is available on demand November 20.

On a final note –  to any aspiring independent filmmakers, podcasters or film related writers out there out there reading this, let me know if you’d like me to publicise and/or review your projects, The Stricken Land is always happy to promote new talent and ideas! And as ever, please feel free to share this post and any others on here that you like, far and wide.

Spread the Word!
Ian

Now its thirteenth year, Mayhem is Nottingham’s premier (only?) film festival dedicated to horror, sci-fi and cult cinema. Held every October at the excellent Broadway cinema, this year I managed to squeeze in the time to get to four showings, only a couple of days after getting back from Grimmfest in Manchester. Apologies for the lateness of the review, it’s been a bit of a whirlwind October, so writing time has been on the lean side. Anyway, enough of my prattle, let’s launch into my thoughts on this years Mayhem offerings –

Nightmare Cinema (2018) US Dir: Joe Dante, Mick Garris, Alejandro Brugués, David Slade, Ryûhei Kitamura
Mickey Rourke, Richard Chamberlain, Elizabeth Reaser

Five strangers are each drawn in turn to a deserted old picture house where they are met by a mysterious projectionist (Rourke), who proceeds to play them each  a tale that delves into their deepest fears…
The horror anthology movie has a long and storied history beginning with the classic Ealing horror and granddaddy of creepy doll films, DEAD OF NIGHT (1945) through to the now classic Amicus productions of the 70’s like THE UNCANNY (1977) and DR TERROR’S HOUSE OF HORRORS (1974) up to THE TWILIGHT ZONE: THE MOVIE (1982) and the EC comics inspired CREEPSHOW (1982)  and TALES FROM THE CRYPT tv show (1989-1996.)
Joining this illustrious roll call comes NIGHTMARE CINEMA, and like all anthology flicks it lives and dies on the strength of each of its constituent segments.
The two stand outs in the movie are  Brugués’ The Thing in the Woods and Slade’s This Way to Egress. The former is closest in spirit to the aforementioned CREEPSHOW movies in style and content, smartly combining the mad killer in the woods slasher trope with an alien invasion plot all drenched in a good helping of cartoonish gore.
The latter is an adaptation of a Lawrence Connolly short story from his eponymous collection. Shot in stylish monochrome, this segment convincingly portrays the fraying, and increasingly warped and terrifying mental state of a young mother (played by Elizabeth Reaser, currently starring in Mike Flanagan’s superb THE HAUNTING OF HILL HOUSE in Netflix) while on a visit to her psychiatrist. Of all the segments Egress most deserves the epithet ‘nightmare’ and it’s worth giving the movie a watch for this segment alone.
The weakest has to be Ryûhei Kitamura’s demonic possession fable Mashit. Lacking a likeable central character is this segment’s biggest flaw, and the derivative story adds nothing to the possession sub genre. A missed opportunity.
Of the remaining two segments, Mirare, directed by Joe Dante and Dead by Mick Garris, the former  is classic Dante, a pitch black comedy about body confidence and plastic surgery featuring a demonic performance by Dr Kildare himself, Richard Chamberlain. While entertaining enough, it does feel rather lightweight and predictable in its denouement when compared to the other segments. Garris’ contribution feels meatier, being a study of maternal love taken to supernatural extremes, but lacks the pace of what has gone before, and thus feels rather laboured in places.


As I said earlier, the inherent weakness of the anthology format is inconsistency, a problem which bedevils NIGHTMARE CINEMA and prevents it being a wholly satisfactory watch. Mickey Rourke also feels underused as the menacing and otherworldly Projectionist. All in all though, NIGHTMARE CINEMA is great fun for horror fans a laudable effort and a, welcome addition to the anthology horror sub genre. Whether it is able to breathe new life into the format and act as catalyst for more films of this type to be produced remains to be seen.

Release details for Nightmare Cinema are tbc.

 


Puppet Master: The Littlest Reich (2018) US Dir: Sonny Laguna, Tommy Wiklund
Thomas Lennon, Jenny Pellicer, Barbara Crampton, Michael Pare, Udo Kier, Matthias Hues

Recently divorced comic book artist Edgar (Lennon) returns to live with his parents. Finding an old sinister looking puppet in his late brother’s room, he soon discovers it is one of the creations of Andre Toulon, a hideously disfigured Nazi war criminal responsible for an infamous series of murders in the town thirty years before. With an upcoming auction of memorabilia at a convention commemorating the Toulon murders, Edgar sees the chance to make some ready cash, but he reckons without a strange and evil force reanimating the puppets…
A gloriously retconned reimagining of the beloved 90’s straight to video classics from cult favourite Charles Band’s legendary Full Moon Pictures, PUPPET MASTER: THE LITTLEST REICH boasts a script by S. Craig Ziegler of BONE TOMAHAWK fame, so expect zero subtlety in this splendidly off the wall exercise in bad taste horror comedy. Complete with practical effects galore and competitive scenery chewing between genre legends Barbara Crampton, Michael Pare, Matthias Hues and the incomparable screen legend that is Udo Kier, PUPPET MASTER: THE LITTLEST REICH glories in its own sense of low budget schlock and insane level of cartoonish violence. Make no mistake,  this movie knows exactly what it is and what it wants to do, and it wants you to know it too.
Highlights include a ‘Baby Fuhrer’ puppet, a decapitated man urinating on his own head and a gory puppet ‘birth’. If there’s a taboo you can think of in these neo censorious times, then this movie wants to break it, usually with a buzz saw or a flamethrower.


Directors Wiklund and Laguna apparently secured the rights from Band on the condition that they made the film as a separate ‘reimagined’ entity divorced from the Band’s own established PUPPET MASTER series, thus opening up the possibility of a brand new series of Puppet Master films. Fingers crossed!

Release details for Puppet Master: The Littlest Reich are tbc.

 

Mandy (2018) US Dir: Panos Cosmatos
Nicolas Cage, Andrea Riseborough, Richard Brake, Linus Roache

Logger Red Miller (Cage) lives with his artist girlfriend Mandy Bloom (Rise borough) in 1983 California. Mandy encounters the members of a hippie cult called the Children of the New Dawn who proceed to kidnap and burn her alive right in front of a bound and incapacitated Red. Left for dead, an enraged and grief stricken Red sets out in single minded pursuit of the cult and its leader, the deranged Jeremiah Sand (Roache)…
So far, so run of the mill revenge fantasy, right?
Wrong.


It’s difficult to do justice to Panos Cosmatos’’ warped, psychedelic headfuck of a movie using mere words, this is a film you have to experience in order to get a true feel for its sheer batshit levels of craziness.. So if demonic quad riding bikers on a bad acid trip, chainsaw duels and Nicolas Cage going full Nicolas Cage against the son of Ken Barlow from Corrie are your thing (and why wouldn’t they be?) then check out this acid fuelled Lynchian nightmare fantasy. Plus, it’s got Bill Duke in it, which is always a reason to watch a film in my book. This one can legitimately be called an instant cult classic..

Mandy is available on Amazon Prime and also on DVD and Blu-ray.

 


The Devil’s Doorway (2018) Ire Dir: Aislinn Clarke
Lalor Roddy, Ciaran Flynn, Helena Bereen

In 1960 Ireland two priests, Father Thomas (Roddy) and Father John (Flynn) are sent to investigate claims of a weeping madonna statue in a Magdalene Laundry, a bleak workhouse-like institution for ‘fallen women’ run by the Catholic church. But as they investigate, they discover something much darker and evil has infected the home…
Nearly twenty years after the damp squib that was THE BLAIR WITCH PROJECT opened the floodgates on the found footage sub genre (although its true progenitor is Ruggero Deodato’s 1979 mondo splatter epic CANNIBAL HOLOCAUST), it finally feels like a film has come along that really makes good on the format’s promise. And that film is Irish filmmaker Aisleen Clarke’s THE DEVIL’S DOORWAY.
Put together on a shoestring budget, the film is cast iron proof that done well, horror does not need big name stars or expensive effects in order to both tell a compelling story and send an icy chill down the spines of audiences. Rather than ‘found footage’, the central conceit of the film is that what is being shown to audiences ‘has been suppressed by the Catholic Church for 58 years.’ Presented as historical record captured on 16mm film, the grainy and ethereal quality of the film stock adds a sense of authenticity, compounded by the story of the real life horror behind the Magdalene laundries in Ireland.Indeed, the idea for the film grew from Clarke’s interest in the laundries and the research she carried out for an unmade documentary on the institutions.
Another big catalyst in the films development was the discovery in 2017 of a mass grave of infants at the site of a former laundry in Tuam, County Galway. Clarke skilfully weaves these horrific aspects into the narrative while simultaneously avoiding any hint of exploitation or an anti religious hatchet job.


Instead the focus is on the inherently fallen nature of the human condition and the corruption that can infect and eat away at institutions. In one particularly memorable scene the Mother Superior (Helen Bereen in a standout performance), icily asks of Father Thomas if he is aware of ‘how many of these babies fathers, were Fathers?’
The film has all the tropes of the demonic possession/religious horror sub genres present and correct; the priest grappling with a crisis of faith, flying furniture, scary looking kids, officious nuns and levitating girls, but even if it doesn’t try to reinvent the wheel in this regard, then it does a more than efficient job of scaring the bejeezus out of the viewer (Father Thomas’ first encounter with the possessed Kathleen (Lauren Coe) is genuinely terrifying).
The film also wisely opts for subtlety rather than the Grand Guignol excess of THE EXORCIST and its many imitators, trading spectacle for offscreen hints at the evil present in the bleak surrounds of the home, both in its temporal and supernatural forms.
That being said, when it comes to staging shocks, Clarke proves admirably adept at ramping up the terror without the benefit of a huge effects budget, and the climax of the films last five minutes or so is pure nightmare fuel. Period set horror is one my favourites sub genres (no comforts of modern living here!), and  I doubt you’ll see a bleaker or more effective indie horror this year, nor one made all the more thought provoking for the horrific real life history that influenced it. Essential viewing.

The Devil’s Doorway is available on Amazon Prime and also on DVD and Blu-ray.

 

Good day film fiends! Just one upcoming release to share with you today, but it’s a doozy (I mean, who doesn’t like werewolf films, right?) Check it out below –
THIS OCTOBER, HUNGER SHOWS NO MERCY
From legendary underground filmmaker Todd Sheets comes a howlingly terrifying werewolf movie for Halloween, BONEHILL ROAD!
Emily and Eden Stevens escape one violent situation only to dive head first into another. Terrified and alone they are stranded in the dark woods only to be chased into a horrific scene in a house or horrors. They must work together to get out alive. But what is worse? What is on the inside or out?
Genre legend Linnea Quigley (RETURN OF THE LIVING DEAD, CREEPOZOIDS) stars alongside Gary Kent, and David E. McMahon star in Bonehill Road, out from Wild Eye Releasing this week on DVD and on Digital soon.
On a final note –  to any aspiring independent filmmakers, podcasters or film related writers out there out there reading this, let me know if you’d like me to publicize and/or review your projects, The Stricken Land is always happy to promote new talent and ideas! And as ever, please feel free to share this post and any others on here that you like, far and wide.

Spread the Word!
Ian

Good morning film fiends! Feast your eyes on these upcoming offerings –

Ojala Productions announces a limited theatrical release of September 22 (Los Angeles) for new horror feature STRANGE NATURE.

This September, It’s man versus nature when wrestling superstar John Hennigan and acclaimed actor Stephen Tobolowsky (SILICON VALLEY, DEADWOOD) play ‘leapfrog’ with mutated amphibians in Ojala Productions’ highly-anticipated eco-thriller Strange Nature.
By moving in with her estranged hermit father in the backwoods of a small town, Kim (Lisa Sheridan, THE 4400) and son Brody find themselves in the middle of a horrendous phenomenon where deadly offspring mutations spread from animals to humans.


Based on true unsolved outbreaks of wildlife mutations, fall fright-fest STRANGE NATURE marks the directorial debut of fx maestro James Ojala (HELLBOY II: THE GOLDEN ARMY, THOR, TRON: LEGACY, BUFFY THE VAMPIRE SLAYER) and stars Lisa Sheridan INVASION), Stephen Tobolowsky (MEMENTO), John Hennigan (MINUTES TO MIDNIGHT), Tiffany Shepis (VICTOR CROWLEY), and Carlos Alazraqui (THE FUNHOUSE MASSACRE).
STRANGE NATURE leaps into theaters from Sep 22 (Los Angeles with other cities to follow).

A fairy tale classic goes under the frightening sea this September with MERMAID’S SONG, premiering on digital from Wild Eye Releasing.

A dark homage to Hans Christian Anderson’s The Little Mermaid, and starring  Iwan Rheon (GAME OF THRONES), the film is set during the 1930s depression and tells of young Charlotte, who is struggling to keep the family business afloat. When gangster Randall offers to pay off the family debt – he demands some illegal changes to the business. But Charlotte, like her mother before her, is a mermaid capable of controlling humans with nothing but her voice, which creates a battle between all of those who want Charlotte’s magical powers for themselves.

From director Nicholas Humphries, and starring Iwan Rheon, Katelyn Mager, and Brendan Taylor, Mermaid’s Song arrives on digital September 18.

Uncork’d Entertainment announces a digital/VOD release date of October 2nd for new action-vigilante feature DEATH KISS.

Filmed in Northern California, the film stars Robert Kovacs (who has gained attention for his uncanny resemblance to a certain well-known action star), Daniel Baldwin (JOHN CARPENTER’S VAMPIRES), Richard Tyson (KINDERGARTEN COP, TWO MOON JUNCTION), Eva Hamilton (horror fest fave RUIN ME), Stormi Maya, Leia Perez, Reese Austyn, and Sam Story.
DEATH KISS concerns a vigilante with a mysterious past who goes to a crime-infested city and takes the law into his own hands, at the same time protecting a young mother and her child.

Writer-director is Rene Perez (PLAYING WITH DOLLS: HAVOC).  Producer is Jeff Miller (THE TOYBOX, OUIJA HOUSE), through his company Millman Productions.  Gary Jones helped executive produce through his company Mosquito Entertainment. Zach Carter served as Supervising Producer.
“Rene’s movie is very cool and stylish.  It feels like a throwback to the Cannon films of the ’80s,” says Miller.  “After an enthusiastic response at Texas Frightmare Weekend in May, we’re excited to show the film to the general public.”
The DVD, with special features such as director’s commentary and the trailer, will be released December 4th.

In the tradition of Tucker and Dale Vs. Evil, What We Do in the Shadows, James Gunn’s Slither, and Sy Fy’s Sharknado franchise, the demented creature feature RETURN OF THE KILLER SHREWS splatters its way onto VOD platforms this Halloween season!
Fans of pop culture and gonzo gorefests will eat up this tasty treat, as it hearkens back to the grindhouse drive-in era with sexy babes, carnivorous creatures and bloody mayhem, and does it with a smile.

In 1959, the original KILLER SHREWS exploded onto drive-in screens, as a charter boat Captain and a bevy of hapless scientists were besieged by a horde of mutant beasts on a remote, storm-swept island. This classic mad doctor-meets-monster movie mashup featured edgy character actor James Best (Dukes of Hazzard, Rolling Thunder) as Captain Thorne Sherman and famously low-fi special effects, giving birth to one of the most revered genre entries of its era.
Now, more than five decades later, the snarling, blood hungry monsters are back in RETURN OF THE KILLER SHREWS.  Captain Thorne Sherman returns to Shrew Island with a boatload of cargo for a TV crew filming a reality television show.  As the cameras roll, cast and crewmembers start falling prey to strange bloodthirsty creatures, and Thorne Sherman comes face to face with the toothy terrors that have haunted his dreams for so many years. What, or who, could be behind the bloody rampage of the insatiable giant killer shrews?

Best, making history in his repeat performance as Sherman, is joined by fellow Hazzard alumni John Schneider (SUPER SHARK, SMALLVILLE, GLEE, IT’S HOT IN CLEVELAND) and Rick Hurst (THE GUARDIAN, VENOMOUS). Also aboard for the doomed voyage are Bruce Davison (BLINDSPOT, INSIDIOUS: THE LAST KEY, X-MEN), Jennifer Lyons (HITTING THE BREAKS, THE AMAZING SPIDER-MAN), Christopher Goodman (JANE THE VIRGIN), Holly Weber (VALLEY PEAKS, FAST & FURIOUS), Patrick Moran (JACK-O), Jason Shane Scott (THE BAY, GREY’S ANATOMY, SNIPER: SPECIAL OPS), Katherine Randolph (JARHEAD), Jeneta St. Clair (AFTER MIDNIGHT) and Sean Flynn (DEVIOUS MAIDS, LAST OF ROBIN HOOD, ZOEY 101).
RETURN OF THE KILLER SHREWS comes barking onto VOD for the first time with a hearty dose of chills and laughs. It’s a retro homage to the low budget drive-in films of yore, a shock ‘til you drop monster movie extravaganza that’ll make your blood vessels burst with suspense and laughter, RETURN OF THE KILLER SHREWS is just what the mad doctor ordered!   

iTunes Presales – 10/12
iTunes Exclusive Launch (Digital Premier) – 10/26
Amazon and Google Launch – 11/9

On a final note –  to any aspiring independent filmmakers, podcasters or film related writers out there out there reading this, let me know if you’d like me to publicize and/or review your projects, The Stricken Land is always happy to promote new talent and ideas! And as ever, please feel free to share this post and any others on here that you like, far and wide.

Spread the Word!

Ian

Hello there film fiends! Quite a few goodies to share with you this week, Let’s dive in –

 

Before we meet THE PREDATOR, come face to face with THE DAWNSEEKER!

Premiering September 4 On Demand from Uncork’d Entertainment, Justin Price’s explosive new sci-fi horror actioner pits five mercenaries against a dangerous alien creature.

2245, the Earth’s sun has dwindled and no longer provides the energy needed to sustain human life. Five hired mercenaries travel to an uncharted planet to collect a rare mineral known as stardust to replenish the dying star. After their spaceship crashes on the alien planet, they are stalked and hunted by a creature far more advanced than anything they have ever encountered before.

Starring Franziska Schissler, Alexander Kane, Jason Skeen and Khu, THE DAWNSEEKER marks the fifth feature film from director Justin Price (ALIEN : REIGN OF MAN).

 

Pistol-packing acclaimed South African western FIVE FINGERS FOR MARSEILLES, a thrilling tale that takes its place alongside classics such as ONCE UPON A TIME IN THE WEST and contemporaries like THE PROPOSITION and NO COUNTRY FOR OLD MEN, stares down the barrel of a national theatrical release Friday, September 7, 2018.

From filmmaker Michael Matthews and screenwriter Sean Drummond comes a thrilling western set against the backdrop of post-Apartheid South Africa. Five Fingers for Marseilles takes place in a small town “governed” by dubious local officials, living in fear of a lawless mob; when an exiled outlaw returns home in search of solace and redemption, brotherhood and loyalty are fused with vengeance.

Starring Vuyo Dabula, Hamilton Dhlamini, Zethu Dlomo, Kenneth Nkosi, Mduduzi Mabaso, Aubrey Poolo, Lizwi Vilakazi, Warren Masemola, Dean Fourie, Anthony Oseyemi, Brendon Daniels, and Jerry Mofokeng, FIVE FINGERS FOR MARSEILLES opens September 7 -across the US via Uncork’d Entertainment.

Synopsis: The residents of the colonial town of Marseilles are under the thumb of police oppression and only the young rebels known as the Five Fingers are willing to stand up to them. Their battle is just, until Tau kills two policemen and flees the scene. The remaining rebels disband while the banished Tau resorts to a life of crime.  Twenty years later, now known as feared outlaw The Lion of Marseilles, he is released from prison. He returns home, desiring only peace and to reconnect with those he left behind. The battle for South Africa’s freedom has been won, and former comrades-in-arms are in prominent positions as mayor, police chief, and pastor. But it quickly becomes clear to Tau that Marseilles is caught in the grip of a vicious new threat — and he must reconstitute the Five Fingers to fight frontier justice. Standing against former allies and new enemies, the re-formed Five Fingers saddle up and ride out, and put their lives at risk to save their beloved Marseilles.

Horror anthology BLOOD CLOTS, starring Brooke Smith, (THE SILENCE OF THE LAMBS) hemorrhages on VOD this August!

Out now on Vimeo and Amazon, BLOOD CLOTS is a collection of horror stories curated by Freedom Cinema, consisting of shorts by New York distributor Hewes Pictures.  Featuring cannibals, zombies and other funny creatures, the anthology stars many recognizable actors such as Brooke Smith (THE SILENCE OF THE LAMBS), Harry Sinclair (THE LORD OF THE RINGS), Madalina Bellariu Ion (YOUNG POPE) and Kristin Slaysman (THE LAST TYCOON, MASTERS OF SEX) among many others.

The collection is made up of seven short, gore-filled stories that will surely please the fans of the genre. Whether it is an awkward dinner with an ancient creature in The Call of Charlie, or a rightfully justified fear of basements in Time To Eat, BLOOD CLOTS has it all.

The anthology features stories directed by Evan Hughes, Sid Zanforlin, Luke Guidici, Carl Timms, Patrick Longstreth, Timothy J. Richardson, Martyn Pick and Nick Spooner.

From High Octane Pictures, the studio that brought you THE JURASSIC GAMES and THE VEIL, comes a fire-breathing, wind-riding fantasy adventure that’ll run ‘rings’ around the competition this August – DRAGON MOUNTAIN
In a fantasy world of dragons, magic and myths, four Dwarves are mining in the dangerous Dragon Mountain when a sudden, violent explosion causes a cave in, trapping the Dwarves inside. With oxygen getting low and supplies dwindling the group must work together to figure a way out before it’s too late. But the path to freedom may not be as simple as they hope when they cross paths with a hungry creature tracking them in the darkness.

Robert Morgan (SOLO : A STAR WARS STORY), Brent Bateman (BIRDMAN), John Hutton (“Power”), Gys de Villiers (Vehicle 19) and Serah Henesey (BULLET) star in an exciting, steampunk adventure from filmmaker Chris Raney.

Dragon Mountain is released August 7 on VOD and September 4 on DVD.

From High Octane Pictures, the studio that brought you THE JURASSIC GAMES and CLOWNTERGIEST, comes IT LIVES INSIDE, premiering on digital this summer.
A chronic sleepwalker reads from a mysterious book that foretells his impending demonic possession. He then struggles to hold his family together as the ancient evil threatens to consume everything he holds dear.

Rett Terrell (THE JURASSIC GAMES) and Alissa Rose Ford (ARMY OF FRANKENSTEINS) star in a Jeff Hall film, released August 7 on VOD and September 4 on DVD.

Rhys Wakefield (The PURGE) hatches a killer plan in THE GRAND SON, premiering on digital this August from Uncork’d Entertainment.
Award-winning filmmaker Robert Logevall and writer Abram Makowka invite you to experience a young man’s descent into decadence and darkness.

High in the Hollywood Hills, Tod and his sister, Lani live a charmed life in mansion of their grandmother, a former movie star now hosting a home shopping show with failing ratings. She sees her grandchildren as spoiled and entitled and when Tod senses that his lifestyle is in jeopardy he hatches a diabolical plot to keep the home shopping show going and the money rolling in.Academy Award Nominee Lesley Anne Warren (Color of Night, Victor/Victoria), Fabianne Therese, Nathan Keyes, and Sarah Clarke (the Twilight franchise) also star.

THE GRAND SON releases digitally on 8/14 and DVD on 11/6.

On a final note –  to any aspiring independent filmmakers, podcasters or film related writers out there out there reading this, let me know if you’d like me to publicize and/or review your projects, The Stricken Land is always happy to promote new talent and ideas! And as ever, please feel free to share this post and any others on here that you like, far and wide.

Spread the Word!

Ian

Hello there film fiends! Apologies for being off the reservation for the last couple of months, I’ve been busy with lots of life admin and other assorted ephemera. However, normal service is now resumed!
A lot of movie goodness to catch up on, not least of which have been the double whammy of announcements by director Duncan Jones (MOON, SOURCE CODE) that his next project will be a live action adaptation of the classic 2000AD character Rogue Trooper, and also that production on the MEGA CITY ONE tv series continues apace with long time 2000AD and Judge Dredd scribe Rob Williams is now attached as creative lead and has revealed that the plot for the first two seasons has already been worked out.
In other news giant prehistoric shark thriller THE MEG looks to be cleaning up at the late summer box office. As a confirmed fan of killer shark flicks, I’m nearly bursting with fanboy excitement to get down the local picture house and see The Stath in action against his toothy nemesis!
Time to dive in and see what goodies are on the slate this week –

BAFTA-award winning supernatural thriller THE LIGHTHOUSE, starring Michael Jibson (HUNTER KILLER, BEAUTY AND THE BEAST) and Mark Lewis Jones (STAR WARS : THE LAST JEDI, GAME OF THRONES), is now available on VOD.


“A dark and disquieting journey into the heart of madness” (Starburst), the film, inspired by a terrifying true story, tells of two men trapped in an isolated lighthouse, surrounded by the deadly Irish sea, with both their minds ultimately pushed to the limits.Directed by Chris Crow, and nominated for five BAFTA awards including Best Director and Best Actor, winning Best Visual Effects, THE LIGHTHOUSE is available on VOD.

 

A film crew is ravaged by a demon in the unique new horror film DARKNESS REIGNS, premiering from Wild Eye Releasing on VOD 7/10/18.
Genre icon Casper Van Dien (STARSHIP TROOPERS, ALITA: BATTLE ANGEL) plays himself in a clever spookfest from Emmy nominee Andrew P.Jones about a group of filmmakers shooting a movie in a reportedly haunted hotel that are faced with an unfathomable demonic force that possesses and attacks both the crew and the film’s star, Casper Van Dien. Will the film’s director be able to escape with the paranormal proof he has captured, or will he succumb to the hellish plans of the demon who has surfaced?


From the director of HAUNTING ON CELLBLOCK 11, and starring Casper Van Dien, Zachary Mooren (AQUARIUS), Linara Washington (GREY’S ANATOMY) and Jennifer Wenger (TALES OF HALLOWEEN), DARKNESS REIGNS out now on from Wild Eye Releasing.

 

From visionary new director Royce Gorsuch, a film that captures the voice of the ultra-connected generation, MAD GENIUS, available on VOD now from Film Mode Entertainment.
Mad genius and hacker, Mason Wells (Chris Mason, PRETTY LITTLE LIARS : THE PERFECTIONISTS) has a mission to “hack the human mind” in order to save humanity, but first must reconcile his multiple alter egos. His most threatening alter ego, Finn (Scott Mechlowicz, EURO TRIP) pushes Mason to do whatever is necessary to accomplish their mission including theft, bribery and intimidation.
As their mission reaches the brink of danger, they become hunted by a nihilistic madman named Eden after they steal his technology and discover that he is working on the exact same project that they are. Ultimately, Mason discovers the only way to defeat Eden may be the ultimate hack, one he never thought imaginable.


Featuring a superlative cast, including Spencer Locke (INSIDIOUS: THE LAST KEY) and Farin Tahir (IRON MAN, CHARLIE WILSON’S WAR), MAD GENIUS is a visually-arresting and exhilarating depiction of the modern-day geniuses who risk everything to change the way society lives through science and technology.
Available now on VOD and on Demand from Clay Epstein’s Film Mode Entertainment.

 

Rogue Trooper

Horror icon Jamie Bernadette stars in FACE OF EVIL, now available on VOD and DVD from Gravitas Ventures.Infect yourself with a plague of horrific entertainment from award-winning filmmaker Vito Dinatolo.


On July 4th, private Jay Williams returns home from the Middle East, but a mysterious epidemic breaks out and infects his friends at his party. On the road to salvation, Jay is joined by his ex-sergeant, who reveals chilling secrets leading to a conspiracy. The night has just begun, as they embark on a survival quest for the ultimate truth.
Scott Baxter, Chad Bishop, Jamie Bernadette and Janet Roth star in FACE OF EVIL, now out from Gravitas Ventures.

Don’t be ‘Split’ on your decision to see THE BASEMENT this September!
Mischa Barton (THE OC, THE SIXTH SENSE) stars in a unique new horror film from Brian M.Conley and Nathan Ives, premiering on digital from 9/15 from Uncork’d Entertainment.


Craig is abducted and wakes up in a basement. His captor, Bill, is a twisted serial killer who wishes to reenact his own capture, with Craig playing the part of Bill and Bill playing everyone else. As Bill tortures Craig, he cycles through a number of personas, all while Craig tries desperately to find a way into Bill’s pathology in order to save himself.
Featuring “stellar lead performances” (Dread Central) from the cast – which also includes Jackson Davis, Cayleb Long, Tracie Thoms, Bailey Anne Borders and Sarah Nicklin – THE BASEMENT is ripe for exploring this fall.
THE BASEMENT gets a 10-market theatrical and digital release on September 15 from Uncork’d Entertainment.

On a final note –  to any aspiring independent filmmakers, podcasters or film related writers out there out there reading this, let me know if you’d like me to publicize and/or review your projects, The Stricken Land is always happy to promote new talent and ideas! And as ever, please feel free to share this post and any others on here that you like, far and wide.

Spread the Word!

Ian

4/20 Massacre (USA 2018) Dir: Dylan Reynolds
Jamie Bernadette, Vanessa Rose Parker, Jim Storm, James Gregory

For lovers of Mary Jane, the twentieth day of April has become the one day of the year marked for activities involving a certain plant related substance. Legend has it that the date was picked due to numerous malign events occurring on the 20th April, including the birthday of Adolf Hitler and the Columbine School massacre. Allegedly, the idea of making the date synonymous with marijuana culture was to associate it with the passive effects of smoking cannabis, thus supposedly restoring some measure of karmic balance to the world (or some such new age hippie nonsense!).

With his fourth feature 4/20 Massacre, director Dylan Reynolds has exploited these ideas behind the stoner holiday, and combined it with the phenomenon of ‘guerrilla growers’ to come up with a splendidly entertaining take on the well worn stalk and slash horror sub genre.

Part homage, part reinvention of those beloved VHS bottom shelfers of the 1980’s, 4/20 Massacre tells the story of five young women who set off to the California hills on the titular weekend to camp out and get stoned. They are warned by the local Park Ranger, Rick, not to stray too far from the trail due to reports of illegal cannabis farms operating. The women later encounter a seemingly crazed young man who warns them of a bloodthirsty killer who is pursuing him after he stumbled across just such a farm whilst hiking. The intrepid bunch of course ignore such ravings and proceed to set up camp, soon after which, said killer (James Gregory) begins to make his presence known.

So far, so slasher. But what really sets 4/20 Massacre apart are the performances by the actresses (Jamie Bernadette, Vanessa Rose Parker, Stacey Danger, Justine Wachsberger and Maria Pistone), which lend real depth and pathos to their relationships in what could so easily have been cookie cutter victim roles. Kudos is also due here to Dylan Reynolds who also wrote the script that gave the cast such rounded characters to work with. Jim Storm also seems to be having a whale of a time in his scenery chewing turn as Ranger Rick.

The quality of the cinematography is also striking, not least given that it is not an element usually associated with this genre, and the audience really gets a sense of place due to the level of attention given to it.

But what about the horror? Well, gore fans needn’t worry, there are several inventive kills here to satisfy afficionados. My favourites being the bong through the brain and the stogie in the eyeball, along with the de rigeur disembowellings and decapitations, all leading to a suitably grand guignol finale. Although the film features some elements of black comedy it wisely steers clear of the self referential approach that was much popularised by Scream and its many imitators. This may be a cut above your usual stalk ‘n’ slash but it’s still a balls out horror when the chips are down, and it’s clear that Reynolds has a love and reverence for the genre.

The writer/director has stated that he does have a sequel in mind, and The Stricken Land fervently hopes his labour of love gets a follow up!

You can get more on 4/20 Massacre from our friends over at the Horror of the Remake podcast where they also have an interview with Dylan Reynolds. Check it out here –

https://www.spreaker.com/user/hotrpod/hotrpod-ep6-420-massacre

(Horror of the Remake is also available on iTunes and all good podcast apps).

We also hope to publish our own interview with the writer/director very soon, so watch this space!

4/20 Massacre is released on DVD, Blu-Ray and VOD on 3rd April 2018.

 

Hail there bad movie brethren! Oh what delights we have in store for you this fine morning…

Amazon optioning Consider Phlebas

Imagine Firefly reimagined by Frank Herbert on strong mushrooms, and you get Consider Phlebas, the first in the late Iain M Banks’ series of science fiction novels featuring the Culture, a super advanced civilisation of utopian space communists.

Now comes the news that Amazon is to adapt the novel for their Amazon Prime streaming service. The series is to be written for the screen by Dennis Kelly and produced by Plan B Entertainment. Anyone who has read Bank’s complex work will be aware of the challenges in pulling off an adaptation successfully. Despite this, we are officially excited! More news as we get it!

 

The Reel Talk Podcast
We’ve been checking out this rather spiffing film review channel on YouTube, and thought it would be remiss if we did not bring it toy your wider attention! Check out their top ten films of 2017 and other videos here –

https://youtu.be/Cy9LVaUq8lI

The Reel Talk can also be found on Facebook, Twitter and Instagram. Spread the love fellow cineastes!

 

Fangoria
In other exciting news, the much loved and missed horror movie magazine, Fangoria is to rise from the dead. Cinestate has purchased the rights to the magazine and all associated brands from previous pulisher The Brooklyn Company. With new Editor in Chief Phil Nobile already installed, the first issue of the revived mag is due to hit the newsstands this Halloween. How appropriate. Cinestate is already working hard to recompense pevious subscribers who were left out of pocket when the mag last seized publication.

According to nerdist.com, Cinestate is also planning on expanding the Fangoria brand to produce movies, podcasts and horror novels.

For more news on all the above go to http://fangoria.com/

 

Halloween sequel

Blumhouse Productions have wrapped filming on director David Gordon Green’s Halloween movie set for release in October 2018. The film will be a direct sequel to the classic 1978 original and ignore all other previous films in the franchise. Please be good…

 

Skeleton Cop

‘He’s got a bone to pick… with crime!’ Check out the preview trailer for the frankly amazing sounding Skeleton Cop! This indie short has been funded through Kickstarter and looks worth every penny! And thinking about it, I don’t think there has been a bad movie made that had ‘Cop’ in the title. Robocop, Maniac Cop, Samurai Cop…

And finally –  to any aspiring independent filmmakers, podcasters or film related writers out there out there reading this, let me know if you’d like me to publicize and/or review your projects, The Stricken Land is always happy to promote new talent and ideas! And as ever, please feel free to share this post and any others on here that you like, far and wide.

Watch the Skies,

Ian

Over the last couple of days I’ve found myself tweeting with an Australian chap by the name of David Black, frontman for a theatrical horror rock band called Darkness Visible and all round horror film fan.

It turns out that David is deep in production of his own hosted horror show Horror House, which is a late night half an hour slot showcasing the best new Australian short horror films. Presented in the spirit of fondly remembered horror hosts like Criswell and 80’s goth babe Elvira, It will be hosted by David himself playing the role of hapless bloodsucker Count Funghoula along with co-host Tritia DeVisha playing the role of horror goth dominatrix Mistress Boobiyana.

Yes, it all sounds as kitsch and comedic as it looks,(check out the stills below), and frankly, great fun. It’s high time we had this sort of thing back on our screens to promote new talent and creativity in fields other than bubblegum pop and tiresome variety acts. As David himself say; “The preference is always going to be for bucket loads of gore, boobs and bad taste humour.” Amen to that!

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Currently, David and Tritia are busy hawking the show around the Australian networks, but are also hoping to interest one or more of the on demand services so we viewers outside the land of Oz will get a chance to see the fruits of their labours at some point. Watch this space.

In the meantime you can follow Horror House on Facebook @HorrorHouseShow  and David can also be found lurking on Twitter and Tumblr. He also has his own blog, Oz Indie Cinema, a link to which you can find in the sidebar under Blogroll.

On a related note, The Stricken Land is always and everywhere happy to promote film related projects be they indie productions, books, blogs, websites or podcasts, so if anyone reading this would like me to review and/or promote their project do let me know. I am contactable on any of the social media channels listed on the sidebar, or alternatively just leave me a comment on the site. Promotional freebies, cash bribes, free Lamborghinis or trips to the Playboy mansion are not obligatory, but will be greatly accepted.

Semper fi